Hearts' waterwheels

Inaam Kachachi succeeded in presenting an eloquent model of female memory when she captures the imagined reality and evokes the vocabulary of existence that is deep within it, in addition to hundreds of small details that men's memories do not have the ability to evoke with such transparent clarity. Dr. Salah Fadl Inaam Kachachi is the lady of the civilized, civilized style. You read her books and you will see her immersing the tragedy in biting sarcasm. Every one of her phrases is worth pausing to consider. Novels may be just a skeleton that you can summarize in words if you wish, but In’am covers them with flesh and shiny skin. Lamia Abbas Amara In’am Kachachi opened the box of her memory, which was stuffed with the past, church bells, commandments, love stories, exile stations, principles and “eternal” slogans that became some of the plans of the ridiculous past that ended with the end of those who wanted immortality. Abdul Sattar Nasser The most important thing in In’am Kachachi’s work (Sawaqi Al-Qulub) is her tense language that combines many features. It is poetic and graceful in its structures, dialogues and descriptions, and does not slow down its pace for explanation or comment. It also expresses the intellectual structures of its heroes and succeeds in conveying their suffering, failures and longing with captivating sweetness, without morally rising above what is realistic, even if it is sometimes in popular or ordinary vocabulary.