Questions and answers overlap in this novel, so that it is sometimes difficult to say which are the questions and which are the answers. In the follow-up to the existing controversy in its chapters, doubt remains raised, exciting, and constantly. Why does Amoria remain a world without maps? And Aladdin Naguib, is there a way for him to escape from her labyrinths in his warm, turbulent, and contradictory confessions, about the death of Najwa Al-Amiri, the amazing woman who combines the obsession of Al-Salameh with their lust, and the calculations of profit and loss that she grew up with in her family and society? And where does that happen to him from his story with his past, with his two brothers Safaa and Adham, and his uncle Hossam Al-Raad, and his aunt Nusrat, and his villager and clan ancestors from his other story, his story with the impossible and the madness, which lie in Najwa Al-Amiri, in himself, in their era in all of Amoria?
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